Evidence of research notes and their use for Assignment 2

Some topic areas suggested by Tutor but most resources found or revisited myself. See scans of my notes at the end.

These gave me an overview on tensions between artistic expression and photography to document:

Benjamin, W. (1999) ‘Little History of Photography’ In: Jennings, M. et al. (eds.) Walter Benjamin | Selected Writings 1927 – 1934. Cambridge, MA and London, England: The Belknap Press of Harvard University Press. pp.507–530.

Hacking, J. (2012) Photography: The Whole Story. London: Thames & Hudson.

hcp (2011) Interview: Richard Misrach with Peter Brown At:htttps://hcponline.org/spot/interview-richard-misrach-with-peter-brown/(Accessed 06/04/2022)

Mosse: Frieze (2013) Richard Mosse: The Impossible Image. At: https://vimeo.com/67115692 (Accessed 07/04/2022).

Clarke, G. (1997) The Photograph. Oxford: Oxford University Press.

Then I researched White and Berger further:

Bunnell in: Cronan, T. (2014) ‘Aperture Magazine Anthology: The Minor White Years, 1952–1976, by Peter C. Bunnell’ In: History of Photography 38 (2) pp.204–206.

Jussim, E. and Lindquist-Cock, E. (1985) Landscape as Photograph. London: Yale University Press.

Hayden Gallery (1972) Octave of prayer: an exhibition on a theme at M.I.T. 27th Oct-26th Nov. 1972. New York: Aperture.

Parkin: Parkin, T. (2011) Mirrors Messages Manifestations – Minor White. At: https://www.onlandscape.co.uk/2011/06/book-review-minor-white/ (Accessed 23/02/2022).

And refreshed myself on Berger’s ideas and other ways of seeing:

Berger, J. (1980) USES OF PHOTOGRAPHY. [Email sent to Sontag, S. 1980]. At: https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnxqbHMxMDZpbnRyb3RvZG9jc3R1ZGllc3xneDo0ZjVlYmEyZjk1YWUyNjdl (Accessed 23/04/2022).

Berger, J. (1980) USES OF PHOTOGRAPHY. [Email sent to Sontag, S. 1980]. At: https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnxqbHMxMDZpbnRyb3RvZG9jc3R1ZGllc3xneDo0ZjVlYmEyZjk1YWUyNjdl (Accessed 23/04/2022).

Berger, J. (1992) About Looking. London: vintage.

Berger, J. et al. (1972) Ways of Seeing. London: British Broadcasting Corporation.

Meinig, D, W. (1979) ‘The beholding eye: Ten versions of the same scene’ In: Interpretation of Ordinary landscapes. Oxford: Oxford university press. pp.32–47.

Walker, I. et al. (2005) Image & Imagination: Le Mois de la Photo À Montréal 2005. McGill-Queen’s Univ.Press. At: https://play.google.com/store/books/details?id=0qyuzQEACAAJ (Accessed 28/5/22)

I began to find research on John Blakemore:

Badger, G. (1977) ‘Introduction’ In: British Image 3: John Blakemore: Exhibition. London: Arts Council. pp.7–10.

Then returned to researching Minor White in more depth:

Szarkowski, J. (1970) Mirrors Messages Manifestations. In: The New York Times 08/03/1970 At: https://www.nytimes.com/1970/03/08/archives/mirrors-messages-manifestations-mirrors-american-manhattan.html (Accessed 21/04/2022).

Szarkowski, J. (1978) Mirrors and Windows: American Photography Since 1960. New York: The Museum of Modern Art.

Szarkowski, John (1978) Mirrors and Windows: American Photography since 1960 [Press Release] (accessed at MOMA 21.4.16) – http://www.moma.org/momaorg/shared/pdfs/docs/press_archives/5624/releases/MOMA_1978_0060_56.pdf?2010 (Acessed 21/4/2022).

Jaskot-Gill, Sabina (2012) Subjective Photography in the USA. An essay included in Photography The Whole Story edited by Juliet Hacking. London: Thames and Hudson 

Scanned notes showing annotations: